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I picture Eugenio Imbrognio as a young man, stepping out this door one fine day sometime during the early years of the 20th century. He has worked up the courage. Perhaps he has asked her parents' permission and has approval. Today is the day he will formally meet the pretty black-haired girl named Caterina Napoli who lives in the house at the top of Padulla Superiore. He strides up the hill.

 

 

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