PAGE ONE
Fall, 2001 Issue:
Spirit & Crisis

EDITOR'S NOTE
When Buddhists
Meet a bin-Laden

BUDDHASCOPE
Spiritual Spuds
& Alien Buddhas

DHARMATALK
On Revulsion
& Anger-Eating

FOUNDOBJECTS
Mohammed Never
Said be a Bomb

GUESTCOLUMN
Mental Muck-ups in
Post-Sept. 11 life

QUOTES
Words to the Wise
From the Wise

POETRY
Poetic Irreverence
from the Kitchen

READING ROOM
Useful Information
and Inspiration.

REVIEWS
Zen Pop by
Leonard Cohen

CONTACT US
About us.

SITE INDEX
A full index of
past features

SUBSCRIBE
It's free and easy.

“Ten New Songs”
Leonard Cohen
(Columbia Records and leonardcohen.com)

By Michael Shannon Friedman

ARGUABLY POP MUSIC'S finest published poet (not the Jewel-style fluff; he is included in the Norton Anthology of Modern Poetry) and easily its best novelist (“Beautiful Losers”), Leonard Cohen is also one of the most enigmatic, brilliant songwriters of the modern era.

Striking a delicate balance between surging eroticism and spiritual longing, Cohen’s mid- and late-60’s songs (“Suzanne,” “Bird On A Wire,” “Famous Blue Raincoat”) combined sophisticated poetic images and catchy, folk-pop songcraft as well as anyone but Bob Dylan.

In recent years, Cohen’s writing has becoming increasingly terse and epigrammatic, reflecting his interest in Buddhism (he has become an ordained Zen Monk, appropriately dubbed “Jikan,” meaning “silent one.”)

Never a particularly a pretty, choir-boy type singer, Cohen always relied on the implicit passion beneath his hoarse rasp. On “Ten New Songs” he scales back even further, at times offering scarcely more than a whisper, set against a subtle, expressive late-night jazz groove. This style doesn’t always work, but when it does, as on the hypnotic “In My Secret Life” and the sweetly anthemic “Land Of Plenty,” it is as enthralling and soul-searching as anything he’s ever done, which is to say any popular music in the last 40 years.

LIKE VAN MORRISON, Cohen has never really been able to distinguish between the carnal and the sacred, nor has he ever really tried; the more he investigates the source of creativity, the more mysterious it seems, and the richer his description of his pilgrimage:

    and i don’t really know who sent me
    to raise my voice and say:
    may the lights of the land of plenty
    shine on the truth some day

    for the innermost decision
    we cannot but obey
    for what’s left of our religion
    i lift my voice and pray:
    may the lights of the land of plenty
    shine on the truth some day

(from “The Land Of Plenty”)

PREVIOUSLY in REVIEWS:

BOOKS:

"BUDDHA": David Cortesi finds some fundamental things wrong with Karen Armstrong's Penguin Lives "Buddha" book.

"THE ELEGANT UNIVERSE": Is Buddhism played on the strings of atoms and written in the stars? Tom Armstrong reviews Brian's Greene's "The Elegant Universe."

"IN SEARCH OF THE MEDICINE BUDDHA": Following the ancient and sometimes unfathomable trail of Ayurvedic medicine and the roots of spiritual healing. Donald Craig reviews David Crow's "In Search of the Medicine Buddha."

"GARY SNYDER READER:
The prose, poetry and Buddhist pathways of an inspiring writer. A review of "The Gary Snyder Reader" by Michael Friedman

"CIRCLING THE SACRED MOUNTAIN:
Heading for the holy hills with Robert Thurman and Tad Wise. A review of "Circling the Sacred Mountain," by Douglas J. Durham

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